简介
"This comprehensive guide demystifies the world of poetry,exploring poetic forms and traditions which can at first seem bewildering. Showing how any reader can gain more pleasure from poetry, it looks at the ways in which poetryinteracts with the language we use in our everyday lives and explores how poems use language and form to create meaning." "Drawing on examples ranging from Chaucer to children's rhymes, Cole Porter to Carol Ann Duffy, and from around the English-speaking world, it looks at aspects including : how technical aspects such as rhythm and measures work; how different tones of voice affect a poem; how poetic language relates to everyday language; how different types of poetry work, from sonnets to free verse; and how the form and 'space' of a poem contribute to its meaning." "Poetry: The Basics is an invaluable and easy-to-read guide for anyone wanting to get to grips withreading and writing poetry."--BOOK JACKET.
目录
BOOK COVER 1
HALF-TITLE 2
TITLE 5
COPYRIGHT 6
DEDICATION 7
CONTENTS 8
ACKNOWLEDGEMENTS 11
1 BECAUSE THERE IS LANGUAGE THERE IS POETRY 16
FURTHER READING 21
2 DELIBERATE SPACE 22
ORAL TRADITION AND CHILDREN\u2019S RHYMES 23
ORAL TRADITION IN EPIC AND NARRATIVE 28
OUT OF THE ORAL TRADITION\u2014 TOWARDS THE PAGE 30
SPACE ON THE PAGE 34
EMBLEMS AND \u2018CONCRETE\u2019 POEMS 39
CONCLUSION 42
FURTHER READING 43
3 TONES OF VOICE 44
WAYS OF SPEAKING 45
\u2018NATURAL\u2019 AND \u2018UNNATURAL\u2019 46
AUTHORITY AND AUTHENTICITY 47
PUBLIC VOICES 47
EPIC AND THE MUSES 51
PUBLIC ANGER AND SATIRE 57
PASTORAL AND SIMPLE SPEAKING 60
PERSONAL VOICES 62
PERSON AND PERSONA 65
\u2018WHAT IS THE LANGUAGE USING US FOR?\u2019 66
FURTHER READING 69
4 THE VERSE LINE 70
THE POETIC LINE 71
RHYTHM AND METRE 72
DIFFERENT METRES 73
SYLLABICS 74
QUANTITATIVE\u2014THE CLASSICAL TRADITION 76
STRESS OR ACCENT 78
ACCENTUAL-SYLLABIC OR STRESS-SYLLABLE 80
VARIATION IN PRACTICE 86
MEASURE: AN HISTORICAL OVERVIEW 89
THE SPECIAL CASE: IAMBIC PENTAMETER 93
FURTHER READING 98
5 \u2018FREE VERSE\u2019 100
\u2018FREE VERSE\u2019 AND LIBERATION 101
THE BIBLICAL LINE 101
MODERNISM AND \u2018FREE VERSE\u2019 105
THE MINIMAL LINE 108
EXPANSIVENESS AND \u2018FIELD COMPOSITION\u2019 110
FURTHER READING 115
6 RHYME AND OTHER NOISES 116
AGAINST RHYMING 117
DEFINITIONS 118
PATTERNS OF RHYME 119
THE BEAUTIES OF RHYME 121
RHYMING AND MEANING 122
BUILDING POEMS WITH RHYMES 126
SO, IS RHYME \u2018A THING IN ITSELF\u2019? 130
FURTHER READING 133
7 STANZA 134
DEFINITIONS 134
ALTERNATING VOICES 135
ONE-LINE FORMS 138
TWO-LINE FORMS 139
THREE-LINE FORMS 141
FOUR-LINE FORMS 143
FIVE-, SIX-, SEVEN-LINE STANZAS 144
EIGHT-LINE STANZAS 148
THE SONNET 150
NINE-LINE STANZAS 154
RONDEAU AND RONDEL 157
BORROWING FORMS 159
INVENTING STANZAS AND THE VERSE PARAGRAPH 159
CONCLUSION 166
FURTHER READING 167
8 IMAGE\u2014IMAGINATION\u2014INSPIRATION 168
IMAGE AND METAPHOR 168
WORDS AND \u2018THINGS AS THEY ARE\u2019 170
RHETORIC 171
IMAGE AND MEANING 173
IMAGINATION 173
INSPIRATION 176
POETRY AND LIBERATION 181
FEMINIST POETICS 182
FURTHER READING 190
CONCLUSION 192
BIBLIOGRAPHY 220
ANTHOLOGIES 220
INDEX 228
HALF-TITLE 2
TITLE 5
COPYRIGHT 6
DEDICATION 7
CONTENTS 8
ACKNOWLEDGEMENTS 11
1 BECAUSE THERE IS LANGUAGE THERE IS POETRY 16
FURTHER READING 21
2 DELIBERATE SPACE 22
ORAL TRADITION AND CHILDREN\u2019S RHYMES 23
ORAL TRADITION IN EPIC AND NARRATIVE 28
OUT OF THE ORAL TRADITION\u2014 TOWARDS THE PAGE 30
SPACE ON THE PAGE 34
EMBLEMS AND \u2018CONCRETE\u2019 POEMS 39
CONCLUSION 42
FURTHER READING 43
3 TONES OF VOICE 44
WAYS OF SPEAKING 45
\u2018NATURAL\u2019 AND \u2018UNNATURAL\u2019 46
AUTHORITY AND AUTHENTICITY 47
PUBLIC VOICES 47
EPIC AND THE MUSES 51
PUBLIC ANGER AND SATIRE 57
PASTORAL AND SIMPLE SPEAKING 60
PERSONAL VOICES 62
PERSON AND PERSONA 65
\u2018WHAT IS THE LANGUAGE USING US FOR?\u2019 66
FURTHER READING 69
4 THE VERSE LINE 70
THE POETIC LINE 71
RHYTHM AND METRE 72
DIFFERENT METRES 73
SYLLABICS 74
QUANTITATIVE\u2014THE CLASSICAL TRADITION 76
STRESS OR ACCENT 78
ACCENTUAL-SYLLABIC OR STRESS-SYLLABLE 80
VARIATION IN PRACTICE 86
MEASURE: AN HISTORICAL OVERVIEW 89
THE SPECIAL CASE: IAMBIC PENTAMETER 93
FURTHER READING 98
5 \u2018FREE VERSE\u2019 100
\u2018FREE VERSE\u2019 AND LIBERATION 101
THE BIBLICAL LINE 101
MODERNISM AND \u2018FREE VERSE\u2019 105
THE MINIMAL LINE 108
EXPANSIVENESS AND \u2018FIELD COMPOSITION\u2019 110
FURTHER READING 115
6 RHYME AND OTHER NOISES 116
AGAINST RHYMING 117
DEFINITIONS 118
PATTERNS OF RHYME 119
THE BEAUTIES OF RHYME 121
RHYMING AND MEANING 122
BUILDING POEMS WITH RHYMES 126
SO, IS RHYME \u2018A THING IN ITSELF\u2019? 130
FURTHER READING 133
7 STANZA 134
DEFINITIONS 134
ALTERNATING VOICES 135
ONE-LINE FORMS 138
TWO-LINE FORMS 139
THREE-LINE FORMS 141
FOUR-LINE FORMS 143
FIVE-, SIX-, SEVEN-LINE STANZAS 144
EIGHT-LINE STANZAS 148
THE SONNET 150
NINE-LINE STANZAS 154
RONDEAU AND RONDEL 157
BORROWING FORMS 159
INVENTING STANZAS AND THE VERSE PARAGRAPH 159
CONCLUSION 166
FURTHER READING 167
8 IMAGE\u2014IMAGINATION\u2014INSPIRATION 168
IMAGE AND METAPHOR 168
WORDS AND \u2018THINGS AS THEY ARE\u2019 170
RHETORIC 171
IMAGE AND MEANING 173
IMAGINATION 173
INSPIRATION 176
POETRY AND LIBERATION 181
FEMINIST POETICS 182
FURTHER READING 190
CONCLUSION 192
BIBLIOGRAPHY 220
ANTHOLOGIES 220
INDEX 228
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