简介
Over the last decade, street art--art made in public spaces including graffiti, stickers, stencil art, and wheat-pasting-- has become one of the most popular and hotly discussed areas of art practice on the contemporary scene. Developing out of the graffiti-writing tradition of the 1980s through the work of artists such as Banksy and Futura 2000, it has long since reached the mainstream. "Street Art" is the first measured, critical account of the development of this global phenomenon. Tracing street art's origins in cave painting through the Paris walls photographed by Brassai in the '20s through the witty, sophisticated imagery found on city streets today, the book also features new and exclusive interviews with key figures associated with street art of the last 35 years, including Lady Pink, Barry McGee, Shepard Fairy, Futura 2000, Malcolm McLaren, Miss Van, and Os Gemeos. "Street Art" reveals the extent to which the walls and streets of cities around the world have become the birthplace of some of the most dynamic and inspirational art being made today.
目录
Foreword p. 7
Author's Foreword p. 9
Street Art or Graffiti? p. 15
Graffiti
Live in Pompeii p. 26
Brassai p. 29
The Evolution of Graffiti p. 30
Lee p. 35
Getting the Picture: Martha Cooper p. 36
Style Wars p. 39
Futura 2000 p. 41
Early Shows p. 42
I am Somebody! p. 43
Graffiti is Addictive p. 45
Tags (Noms de Guerre) p. 48
Barry McGee p. 49
Brazil Style p. 52
Street Art
Global-style Graffiti, Local-style Street Art p. 63
Ernest Pignon-Ernest p. 69
Blek le Rat p. 70
Art School of Hard Knocks p. 72
Gordon Matta-Clark p. 72
Street Art Avant-Garde p. 75
Dan Witz p. 77
UnderCulture Gone Mainstream p. 79
Mixing it up: The Politics
Anti-Modernism (The Barbarians are at the Gates) p. 87
Jenny Holzer p. 89
John Fekner p. 90
Disrupting Systems of Thought p. 92
Jean-Michel Basquiat and Keith Haring p. 93
Setting and Anonymity p. 100
Obey: Shepard Fairey p. 101
Survival in Hyper-Reality p. 104
The Medium is the Message, Sometimes p. 107
Faile p. 107
Kaws p. 109
Advertising p. 111
Mustafa Hulusi p. 113
Subvertising p. 115
Banksy p. 117
Miss Van p. 120
JR p. 123
Museums and Outlaws
Illegal v. Legal p. 127
Blu p. 129
Outsiders p. 130
Invader p. 133
Sanctioning Bodies p. 134
Eine p. 137
The Market p. 138
Judith Sulpine p. 138
Swoon p. 140
The Wooster Collective p. 143
D*Face p. 145
Sculpture p. 146
Crateman p. 149
Graffiti Research Lab p. 151
The End is No End p. 153
Photographic credits p. 156
Index p. 157
Author's Foreword p. 9
Street Art or Graffiti? p. 15
Graffiti
Live in Pompeii p. 26
Brassai p. 29
The Evolution of Graffiti p. 30
Lee p. 35
Getting the Picture: Martha Cooper p. 36
Style Wars p. 39
Futura 2000 p. 41
Early Shows p. 42
I am Somebody! p. 43
Graffiti is Addictive p. 45
Tags (Noms de Guerre) p. 48
Barry McGee p. 49
Brazil Style p. 52
Street Art
Global-style Graffiti, Local-style Street Art p. 63
Ernest Pignon-Ernest p. 69
Blek le Rat p. 70
Art School of Hard Knocks p. 72
Gordon Matta-Clark p. 72
Street Art Avant-Garde p. 75
Dan Witz p. 77
UnderCulture Gone Mainstream p. 79
Mixing it up: The Politics
Anti-Modernism (The Barbarians are at the Gates) p. 87
Jenny Holzer p. 89
John Fekner p. 90
Disrupting Systems of Thought p. 92
Jean-Michel Basquiat and Keith Haring p. 93
Setting and Anonymity p. 100
Obey: Shepard Fairey p. 101
Survival in Hyper-Reality p. 104
The Medium is the Message, Sometimes p. 107
Faile p. 107
Kaws p. 109
Advertising p. 111
Mustafa Hulusi p. 113
Subvertising p. 115
Banksy p. 117
Miss Van p. 120
JR p. 123
Museums and Outlaws
Illegal v. Legal p. 127
Blu p. 129
Outsiders p. 130
Invader p. 133
Sanctioning Bodies p. 134
Eine p. 137
The Market p. 138
Judith Sulpine p. 138
Swoon p. 140
The Wooster Collective p. 143
D*Face p. 145
Sculpture p. 146
Crateman p. 149
Graffiti Research Lab p. 151
The End is No End p. 153
Photographic credits p. 156
Index p. 157
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