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Summary:
Publisher Summary 1
Challenges the "subversive" model of feminist criticism and argues for the importance of negotiation for feminist practice within a plurality of critical positions and identities, presenting an empirical method for a negotiating feminist criticism and demonstrating the model with analysis of the writing of five American women authors: Edith Wharton, Zora Neale Hurston, Eudora Welty, Toni Morrison, and Marge Piercy. For scholars of feminist literary theory and 20th-century American literature. Annotation c. by Book News, Inc., Portland, Or.
目录
Preface
Acknowledgments
Negotiated Homelands: The States of Feminist Reading p. 1
Negotiation Our Text: The Search for Accommodations in Edith Wharton's The House of Mirth p. 27
Our Confounded Identities: Negotiating Audience in Zora Neale Hurston's Their Eyes Were Watching God p. 46
The Character of Her Writing: Eudora Welty's The Optimist's Daughter and the Stories of Feminist Criticism p. 67
Sifting through Bags and Bones: Practical Negotiations in Toni Morrison's Song of Solomon p. 85
Negotiated Motherhood: Contradictory Leanings in Marge Piercy's Woman on the Edge of Time p. 105
Epilogue: Riparian Corridors and Other Progressive Middles: New Directions for Feminist Criticism? p. 127
Notes p. 131
Index p. 145
Acknowledgments
Negotiated Homelands: The States of Feminist Reading p. 1
Negotiation Our Text: The Search for Accommodations in Edith Wharton's The House of Mirth p. 27
Our Confounded Identities: Negotiating Audience in Zora Neale Hurston's Their Eyes Were Watching God p. 46
The Character of Her Writing: Eudora Welty's The Optimist's Daughter and the Stories of Feminist Criticism p. 67
Sifting through Bags and Bones: Practical Negotiations in Toni Morrison's Song of Solomon p. 85
Negotiated Motherhood: Contradictory Leanings in Marge Piercy's Woman on the Edge of Time p. 105
Epilogue: Riparian Corridors and Other Progressive Middles: New Directions for Feminist Criticism? p. 127
Notes p. 131
Index p. 145
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