简介
The adulterous affairs of Niccolo Machiavelli and the comedies he wrote about them are actually the subject of only one of the six essays presented here by Ruggiero (history, U. of Miami) in a work that explores sex, self, and society across the Italian Renaissance. Deeply influenced by Michel Foucault's theories on the history of sex, Ruggiero nevertheless uses these essays to argue that neither Renaissance sex nor gender fits well with the modern definitions that underlie Foucault's theories. His essays provide critical readings of Pietro Aretino's comedy, Il marescalco; Giovanni Boccacio's novelle relating the story of Rustico and Alibech in the Decameron; the trial of an abbot for his relationship with a concubine; Machiavelli's aforementioned comedies; and other materials. Annotation 漏2007 Book News, Inc., Portland, OR (booknews.com)
目录
Acknowledgments p. ix
Introduction p. 1
Of Birds, Figs, and Sexual Identity in the Renaissance, or The Marescalco's Boy Bride p. 19
Playing with the Devil: The Pleasures and Dangers of Sex and Play p. 41
The Abbot's Concubine: Renaissance Lies, Literature, and Power p. 71
Brunelleschi's First Masterpiece, or Mean Streets, Familiar Streets, Masculine Spaces, and Identity in Renaissance Florence p. 85
Machiavelli in Love: The Self-Presentation of an Aging Lover p. 108
Death and Resurrection and the Regime of Virtu, or Of Princes, Lovers, and Prickly Pears p. 163
Afterword. How Machiavelli Put the Devil Back in Hell p. 212
Notes p. 223
Bibliography p. 261
Index p. 279
Introduction p. 1
Of Birds, Figs, and Sexual Identity in the Renaissance, or The Marescalco's Boy Bride p. 19
Playing with the Devil: The Pleasures and Dangers of Sex and Play p. 41
The Abbot's Concubine: Renaissance Lies, Literature, and Power p. 71
Brunelleschi's First Masterpiece, or Mean Streets, Familiar Streets, Masculine Spaces, and Identity in Renaissance Florence p. 85
Machiavelli in Love: The Self-Presentation of an Aging Lover p. 108
Death and Resurrection and the Regime of Virtu, or Of Princes, Lovers, and Prickly Pears p. 163
Afterword. How Machiavelli Put the Devil Back in Hell p. 212
Notes p. 223
Bibliography p. 261
Index p. 279
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