简介
"In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway's short story aesthetics. Lamb locates Hemingway's art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul Cezanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction."--BOOK JACKET.
目录
Preface p. xi
Abbreviations p. xvii
Introduction: The Hemingway "Problem" and the Matter of Art p. 1
Historical Genre, Dispassionate Presentation, and Authorial Judgment: The Legacy of Maupassant and Chekhov p. 14
Minimizing Words and Maximizing Meaning: Suggestiveness, Concision, and Omission p. 34
Depicting Consciousness in Modern Fiction: Expressionism and Impressionism from Crane to Cather and Hemingway p. 48
Who Sees and Who Speaks: Hemingway's Art of Focalization p. 78
Repetition and Juxtaposition: From Stein to Hemingway p. 113
Openings, Endings, and the Disjunctive Bump p. 136
The Normative Center, the Illustrative Stamp, and the Joycean Epiphany p. 154
The New Art of Constructive Dialogue: From James to Hemingway p. 169
Plot, Characterization, and Setting p. 204
Coda: Hemingway's Legacy p. 224
Acknowledgments p. 231
Appendix: Chronology of Hemingway's Stories, 1923-1939 p. 237
Notes p. 241
Works Cited p. 247
Index p. 261
Abbreviations p. xvii
Introduction: The Hemingway "Problem" and the Matter of Art p. 1
Historical Genre, Dispassionate Presentation, and Authorial Judgment: The Legacy of Maupassant and Chekhov p. 14
Minimizing Words and Maximizing Meaning: Suggestiveness, Concision, and Omission p. 34
Depicting Consciousness in Modern Fiction: Expressionism and Impressionism from Crane to Cather and Hemingway p. 48
Who Sees and Who Speaks: Hemingway's Art of Focalization p. 78
Repetition and Juxtaposition: From Stein to Hemingway p. 113
Openings, Endings, and the Disjunctive Bump p. 136
The Normative Center, the Illustrative Stamp, and the Joycean Epiphany p. 154
The New Art of Constructive Dialogue: From James to Hemingway p. 169
Plot, Characterization, and Setting p. 204
Coda: Hemingway's Legacy p. 224
Acknowledgments p. 231
Appendix: Chronology of Hemingway's Stories, 1923-1939 p. 237
Notes p. 241
Works Cited p. 247
Index p. 261
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